From our Free Quilt Block Patterns Library
The Lover's Lane Quilt Block takes a handful of half square triangles. A quartet of Square in a Square units.
Simple piecing, for sure.
To provide you with options, both paperpiecing and connector corner techniques are shared for creating the Square in a Square units.
Choose whichever technique works best for you.
It's time to cut up and sew our Lover's Lane!
Several abbreviations are used on this page. They are:
1/4" SA are used through this tutorial.
When instructed to press, first press the patches in the closed position just as they came off your sewing machine.
This sets the seam, melding the fibers of the threads into the fibers of the fabric.
Then press the SA as directed.
Those seams between the units can get a bit lumpy. Check out my favorite pressing technique to flatten them into submission.
The sample block is made with two tone on tone fabrics with high contrast so all those pointy-points show up.
It'd be a shame to do all the piecing only to have them disappear because of fabric choices that blend together.
If you like paperpiecing, choose the blue cutting chart. If you'd rather use all traditional techniques (including Connector Corners), choose the yellow chart.
**I prefer to cut my patches extra large for HST, stitch, and then trim them to size.
If you prefer to do the same, add a bit extra to the measurements for Patches #6 and #7 below (both charts).
There is a chart further down in these instructions where you need it for trimming them to size.
Cutting Chart for a~Paperpiecing PLUS Traditional Piecing ~
|Patch||Fabric||Qty||Finished Block Size||Sub|
|Center.1||Light||4||1⅞" x 1⅞"||2⅝ x 2⅝||3⅜" x 3⅜"||---|
| C.2, C.3|
|Dark||8||2⅜" x 2⅜"||2⅞" x 2⅞"||3⅜" x 3⅜"|
|6**||Light||5||1⅞" x 1⅞"||2⅜" x 2⅜"||2⅞" x 2⅞"||---|
|7**||Dark||5||1⅞" x 1⅞"||2⅜" x 2⅜"||2⅞" x 2⅞"||---|
|8||Light||10||1½" x 1½"||2 " x 2 "||2½" x 2½"||---|
|Unfinished Block Size||6½"||9½"||12½"||na|
There's no subcutting needed for the traditionally pieced block.
Cutting Chart for a~Traditional Piecing w/Connector Corners~
|Patch||Fabric||Qty||Finished Block Size|
|Center.1||Light||4||2½" x 2½"||3½" x 3½"||4½" x 4½"|
| C.2, C.3|
|Dark||16||1½" x 1½"||2" x 2"||2½" x 2½"|
|6**||Light||5||1⅞" x 1⅞"||2⅜" x 2⅜"||2⅞" x 2⅞"|
|7**||Dark||5||1⅞" x 1⅞"||2⅜" x 2⅜"||2⅞" x 2⅞"|
|8||Light||10||1½" x 1½"||2" x 2"||2½" x 2½"|
|Unfinished Block Size||6½"||9½"||12½"|
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If you've cut your patches from the yellow chart you can skip this step.
If you've cut patches using the blue chart, you need to print the paperpiecing patterns as follows.
You need the most current version of Adobe installed on your computer to download the pattern.
On the Adobe Print Menu page, under 'Page Size and Handling' set 'Custom Scale' to 100% before printing for accurate results. Click here to see what it looks like on the Print Menu page.
Choose your finished block size from the chart below and print the corresponding number of pages for a total of four units.
Print Paperpiecing Patterns
|# of copies|| Link to PDF|
After printing, follow the instructions on the printed page(s) to check that the patterns printed at the correct size.
Cut out four units a bit beyond the outside line. There's no need to be exact at this time.
If you cut your patches from the yellow cutting chart, click here for instructions to make these units using the Connector Corners technique.
If you used the blue chart, continue here.
General Sewing Machine Setup for Paperpiecing
Use a tiny dot of Elmer's Glue Stick to hold the Center.1 patch in place on the unprinted side of the pattern. It should extend 1/4" past the solid lines.
With RST, add the C.2 patch by aligning its longest edge with the edge of Center.1. To help quickly position the patch, the corner of C.2 should be directly opposite the solid outline of the corner of the unit (red arrow).
Stitch the two patches, starting and stopping your stitching a generous 1/4" before and after the solid line between C.1 and C.2.
Press. Because I've heavily starch my fabrics ahead of time, I can usually fingerpress here.
Add the remaining corners, stitching and pressing as before.
I like to trim away the "dog ears" after adding C4 and C5.
To complete the SiaSs, trim by aligning the 1/4" mark on your ruler with the dark solid outline.
Trim with your rotary cutter.
Rotate the mat. Aligning and trimming again. Repeat for all four sides of all four SiaS.
Regardless of the technique you used, the four SiaS look like this.
Corners and Center
We use the Quick Pieced method for making our HSTs.
On the wrong side of either the #6 or #7 patches (whichever is easier to see your markings on) draw a single diagonal line from corner to corner.
On the far left image below, you can see I've used my favorite Bohin Mechanical Chalk Pencil to mark the diagonals.
With RST, layer a #6 and #7 square. Stitch a 1/4" from both sides of the line for all 5 pairs. (above far left)
Press flat to set the seams.
Cut apart on the diagonal line. (above, middle left)
Press the HSTs open with the SA towards the darker square. (above middle right)
Find your Finished Block Size in the chart below. If you cut your HST squares exactly, then check your accuracy. From cut edge to cut edge they should measure exactly the number in the 'Trim HST to...' column.
If you cut your patches generously (as I choose to do) then trim to perfection.
|Trim HST to…|
After trimming, you have 10 perfectly sized HST.
To construct the corners, add a #8 square as shown below to each HST, pressing the SA toward #8.
With RST, stitch pairs together to form a little bowtie shape.
To distribute the bulk, I've chosen to press open the seam that joins these units. (black arrow)
NOTE: I could have chosen to press the seam that joins #8 and the HST together open, too, but simply didn't want to. Again. Do what works best for YOU.
Arrange your SiaSs, corners and center into the Lover's Lane design.
Pay special attention to the orientation of the corners and center. Light #8 squares are in the outside corners.
With RST stitch the units in each row together.
Double check as you go along.
I say this from experience because this is what happened the first time when I assembled the sample Lover's Lane.
Arggghhh. Clearly an example of not enough caffeine!
To get a good match where points meet, I pin. Check out 'Pinning for Perfect Points' if you're not a habitual pinner.
My favorite pins for this are IBC's Super Fine Pins with a glass head, 1-3/8" long, .50mm.
SiaSs can be pretty lumpy after they're stitched to other units.
To tame the lumpiness, try my favorite pressing technique.
It's amazing how such a simple trick makes sure a huge difference in the finished block.
Now back to our Lover's Lane block, here the rows are ready to stitch together.
After stitching, our Lover's Lane looks like this from the backside.
Because of the high contrast between the red and white fabrics, I'll be sure to trim away any straggly threads—don't want them shadowing through the quilt top once it's finished.
From the front, our Lover's Lane looks like this.
All nice, crisp and pointy.
Maggie Malone's 5500 Quilt Block Designs is my all-time favorite!