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Our free heart quilt block tutorial is a paper pieced design whose construction mimics a half log cabin block. With its simple piecing and strips cut to size it's a quick one to whip up.
In this tutorial you'll find:
And finally, a quick story on the journey to make this heart block.
Time to cut up and sew!
Several abbreviations are used on this page. They are:
1/4" SA are used through this tutorial.
Pressing instructions are highlighted in yellow throughout this tutorial to make them easy to spot.
When instructed to press, first press the patches in the closed position just as they came off your sewing machine. This sets the seam, melding the fibers of the threads into the fibers of the fabric.
Then the patch is pressed open.
When you're paperpiecing, the last seam sewn is always pressed toward the last patch added.
I prefer starched quilt fabrics for piecing. That way I can fingerpress first and then press with my iron.
You'll need the most current version of Adobe installed on your computer to download the pattern.
On the Adobe Print Menu page, under 'Page Size and Handling' set 'Custom Scale' to 100% before printing for accurate results. Click here to see what it looks like on the Print Menu page.
| Click on the|
Finished Block Size
|Copies needed for 1 block|
After printing, use the 1" square graphic on the printed page(s) to double check that your pattern printed at the correct size.
After printing, notice that the pattern looks like a mirror image of the block drawing below. This is correct.
Since the block is asymmetrical it needs to be a mirror image in order the the finished block to look like the drawing.
With scissors, cut the block out just past the outside dashed lines. No need to be precise here. A rough cut is good enough. Our Heart quilt block gets trimmed at the very end to clean up all the edges.
Sample Block Size: 6" finished / 6½" unfinished
Design Type: Heart, pictorial
Please label your patches. Their numbers are used to throughout this tutorial.
We've gone with a scrappy look for our Valentine Heart using a different fabric for each of the red patches (#2-#11).
You can do the same, or maybe alternate the patches between light and dark, or even cut every two patches from the same fabric to create a kind of 'stripe-y' heart.
The choice is up to you. Use the cutting chart you print below to keep track of where you want the fabrics to go.
And finally, hearts don't have to be red.
Remember to subcut your squares. #1 is cut twice on the diagonal to create QSTs. You'll use only one square per block so there is some waste.
#12/#13 and #14/#15 are cut once on the diagonal to create HSTs.
The reason for precutting these patches is to have a finished block with as much straight of grain on the outside edges for stability.
And finally, since the 'logs' are relatively narrow (from cut from ⅞" to 1¼") using fabrics with allover prints will probably work better. Big prints with lots of negative space can look blotchy when cut into narrow strips.
Cutting Chart for a~ Paper Piecing ~
|Patch||Fabric||Qty||Finished Block Size||Sub|
|1||Bac||1||4⅛'' x 4⅛''||5¼'' x 5¼''||5¾'' x 5¾''|
|2||A||1||⅞" x 2⅝''||1⅛'' x 3⅜''||1¼'' x 3⅞''||---|
|3||A||1||⅞" x 3''||1⅛'' x 4''||1¼'' x 4½''||---|
|4||A||1||⅞" x 3''||1⅛'' x 4''||1¼'' x 4⅝''||---|
|5||A||1||⅞" x 3⅜''||1⅛'' x 4⅝''||1¼'' x 5¼''||---|
|6||A||1||⅞" x 3⅜''||1⅛'' x 4⅝''||1¼'' x 5½''||---|
|7||A||1||⅞" x 3⅞''||1⅛'' x 5¼''||1¼'' x 6''||---|
|8||A||1||⅞" x 3⅞''||1⅛'' x 5¼''||1¼'' x 6''||---|
|9||A||1||⅞" x 4¼''||1⅛'' x 5⅞''||1¼'' x 6⅝''||---|
|10||A||1||⅞" x 3⅞''||1⅛'' x 5¼''||1¼'' x 6''||---|
|11||A||1||⅞" x 4¼''||1⅛'' x 5⅞''||1¼'' x 6⅝''||---|
|12, 13||Bac||1||2½'' x 2½''||3'' x 3''||3⅛'' x 3⅛''|
|14, 15||Bac||1||3¾'' x 3¾''||4¾'' x 4¾''||5¼'' x 5¼''|
|Unfinished Block Size||4½''||6½''||7½''||na|
While I don't usually use vellum in my free tutorials, in this instance it seemed like a good idea to make it easier to see where the untrimmed patches are lining up.
Use the tiniest dab of Elmer's Washable Glue Stick to hold #1 in place on the unprinted side. Use the dashed guidelines to quickly, accurately position this patch.
With RST, align the long edge of #2 with #1. The short edge of #2 aligns with the cut edge of #1 as well as the dashed lines as shown below.
For a secure seam, from the printed side, sew on the line between #1 and #2, starting and ending a generous 1/4" past the ends. Future lines of stitching secure these seams (just as in traditional piecing).
No backstitching required.
To keep things neat, trim away any thread tails within the four sides of the block.
With RST, position the long cut edges of #3 with #1. The short edge is even with the short edge of the previously sewn #2.
If your patches extend past the dashed lines, give them a trim to make them even with the dashes (white arrow).
Add #4 in the same manner.
Keep adding logs (#5-#11), trimming anytime the patch extends past the dashed guidelines.
Now it's time to trim before adding the #12 and #13 triangles.
From the printed side, fold the pattern back on the solid line between #12 and #2-#10. You'll have to pull the it away from the stitches. It may tear a bit. If too much use a bit of Scotch Brand Magic® Tape to repair it from the printed side—and then don't ever press directly on the tape or it'll melt.
Here I'm using an Add-A-Quarter Plus ruler to add the 1/4" seam allowance past the folded edge. This ruler makes trimming foolproof.
If you don't have one, line up the 1/4" line on a regular rotary ruler with the fold and trim.
With RST, add #12 to your heart with the point of the triangle directly opposite the corner of the block design (white arrow).
I like to scooch the edge of the lighter background a few thread past the cut edge so the darker patches don't shadow through.
Repeat for the #13 triangle.
Next add the #14 and #15 triangles. Again, I've scooched the lighter triangle a bit past the dashed line to avoid any shadowing.
Make sure your stitches start and end past the outside dashed line around the block—me I just stitch completely off the edge.
The stitching's complete.
And it rather looks like a hot mess right now.
But that's part of the 'charm' of this technique.
Give your heart a good press and take it to the cutting mat.
Printed side up, align the 1/4" marking on your ruler with the solid outer line of the block. Trim away the excess with your rotary cutter.
Repeat for the 3 remaining sides.
After a good press (and I strongly urge you to check out my secret pressing technique for a professional press-job) and after it's cooled, remove the paper.
And we've finished our free heart quilt block!
And here's our heart from the backside.
See how the background triangles (bottom left and right corners) extend just a wee bit past the pink logs to avoid any of the darker pink fabrics from shadowing through the lighter background.
If you use the tutorials and lessons on this site, you probably know I'm a firm believer in testing things before committing to a technique or product to make a large quilt.
In this free heart block tutorial, I tried a new-to-me vellum foundation.
In my review of a number of paperpiecing alternatives, I said I really love vellum for this technique, but find it much too expensive for large projects without enough benefit.
So I continued my search for a cheaper source for vellum and found one.
Well, it's cheaper—$12.99/100 sheets vs $13.36/30 sheets.
The laser printed copies are nice and clear, no smudging.
But, since I've invested (heavily) in wool pressing mats (read my review here)—a 20" x 60", an 18" x 24", and a 12" x 14"—I really don't want to crap them up.
So, I did a quick test pressing from the back side of the printed pattern onto a white piece of paper.
That's a whole lotta toner transfer.
Does it make this cheaper option unusable?
However, I did choose to continue to press on a white sheet of paper on top of my wool pressing mat, to keep the mat clean.
The other thing I found was that a shot of steam REALLY made the vellum curl. Something I'm not fond of.
Again, it didn't make the vellum unusable. It just meant:
To check out this vellum for yourself, you can find it here on Amazon.com.
For a savings of almost 70%, if I want to use vellum, I'll put up with the cheaper brand's idiosyncrasies.
A stitch in time saves nine...always test the unknown.